In Part 1 we exposed the underlying core element to the spate of fire disasters that have been attributed to gender reveal parties.
On its surface the celebration of the sex of a mother’s baby has no rational connection to a disproportionately elevated risk of property damage, personal injury and apocalyptic fire-and-brimstone.
This is a ritual immolation; a sacrifice-by-fire — of individuality and the binary to an anti-human entity that idealizes a dystopian form of “oneness”: one world government, one world currency, destruction of the man-machine binary under the technological phenomenon of SINGULARITY.
Nothing epitomizes this immolation-of-the-binary/one-world ritual more than New York City’s ONE WORLD TRADE CENTER that exists at the expense of the immolated binary Twin Towers.
The design of One WTC Freedom Tower (top, right) is a juxtaposition of the two.
I introduced Austrian singer Conchita Wurst in Part 1. I illustrated the significance of the names of the principle characters in popular gender-related narratives. Conchita Wurst is a female alter-ego stage-name; his real name is THOMAS Neuwirth.
He is named “Thomas” because that name has specific significance to his role in a greater esoteric, occult narrative. “THOMAS” means “TWIN.”
As a male Thomas (twin) Neuwirth is the binary (separate from female). He represents that same esoteric concept that the World Trade Center’s Twin Towers did.
The binary Twin Towers were immolated to form the non-binary ONE World Trade Center Freedom Tower. The transvestite bearded female image of Conchita Wurst is the same concept as the Freedom Tower.
Gematria confirms the Wurst-Freedom Tower correlation.
Current California wildfires are blamed on gender reveal/binary celebration.
But was the Thomas binary immolated? Ritualistically, YES! Conchita Wurst achieved world fame by winning the 2014 Eurovision Song Contest with the song “Rise Like a Phoenix”, a reference to the mythical bird that is re-born after self-immolation. 2014 is the same year ONE WTC officially opened (three days before Neuwirth’s birthday). https://en.wikipedia.org/wiki/One_World_Trade_Center#Opening_and_post-opening
The very first line of the song “Rise Like a Phoenix” describes awakening amidst 911-style devastation:
Neuwirth/Wurst’s birthday of November 6th/6th November, written 11–6/6–11 is 9–11/11–9 upside-down.
In Part 1 I explained how gender reveal parties are being blamed for causing mass fires (immolation of gender binary ritual). 116 is the gematria value of “GENDER REVEAL.”
With this in mind re-examine the Facebook rant by Jenna Karvunidis, the spokeswoman and face of the “gender reveal parties = wild fire” narrative:
911 WTC is also Jesus-related. December 25th is a Roman (Babylonian inspired) Winter Solstice holy day. Some believe that the real birthday of “Jesus” is September 11th. See my arcticles on this:
Conchita Wurst is aligned with the 911-Jesus ritual, and his image is based on the popular European image of Jesus. He is a “Destruction-of-the-Sacred-Masculine” symbol.
IRRATIONAL fear of the transgendered is “TRANSPHOBIA.”
Wurst’s birthday is an inversion of “Jesus’ “, representing an “inversion” of the Christ.
In gematria “INVERTED” sums to 119.
A slang word for a male dressed as a female is a “QUEEN.” The feminized Christ image Conchita Wurst is a “JESUS QUEEN” which of course sums to 53.
“Anti-Christ” sums to 149. 149 is the 35th prime number.
“Rise like a Phoenix” was released on a date with 35 numerology.
Emasculation by the Sacred Feminine Code: 71
Through Conchita Wurst the occult powers feminize Jesus by the 71 feminine code: “Jesus in Drag.”
Dennis Dickey’s gender-reveal stunt that is blamed for the 2017 Tuscon, Arizona super-fire was filmed (with no people appearing in the footage). It featured a target that had “BOY” and “GIRL” written on it vertically, with a 5×5 oblong checker-board image between the two words (below).
The checkerboard pattern symbolizes duality, polarity; the binary. The girl-boy binary target looks like a grave stone, not by coincidence. It is then shot and exploded: Immolation of the Binary.
The Most Ominous Non-binary: Human-machine
The male-female binary narrative is in itself a surface-level metaphor for the deeper, more ominous agenda for the destruction of the Human – machine binary, which uses the same key prefix: “TRANS.”
“TRANSHUMANISM”, which by no coincidence sums to 53.
Mandatory mask-wearing, “I Can’t Breathe” protest slogan, toxic air-quality from West Coast fires and Jenna Karvunidis’ statement are all consistent with the over-arching ritual: LUNGS ARE BINARY.